Sigmar Polke, German, 1941–2010, Daphne (ΔΑΦΝΗ). 2004. Artist’s book, page: 16 5⁄16 x 11 7/16″ (41.5 x 29 cm), The Museum of Modern Art Library, New York © 2014 Estate of Sigmar Polke/ Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn
Nicholas Byrne Keyed E 2012 oil on linen 50 x 35 cm 20 x 14 ins
Untitled, B, Lucas Samaras, Graphite and incised lines on paper, 1966.
PixCell-Deer#24 by Kohei Nawa via-ish blacid
Tim Yankosky at Andrea Scwartz Gallery, tonight.
“Jim Isermann at Mary Boone…Isermann transforms the soaring trussedroof space by installing a standard off-the-shelf drop ceiling grid and five hundred custom translucent vacuum-formed styrene panels. Each modular unit is one of four variations of planes that tilt in or out in a configuration in which the divisions engage the ceiling grid in the overall patterning. Suspended below the vast skylight, the daylong transition from natural light to incandescent fixtures will backlight the panels and add another dimension to the panels’ orientation and repetition. The drop ceiling’s compression of vertical space and the walls left bare alter the viewers’ perception of the Gallery’s function, evoking instead an Op-Minimalist lecture hall or airport concourse.”
Thomas Bayrle, Katholisch, Kunst-station Sankt Peter, Cologne. Via Contemporary Art Daily.
Urbanscreen’s ‘320 Licht’
Random order. Chaos. Beauty. “All scenes were filmed by using lycopodium powder, a subwoofer and a Red Epic.” via Co.Design
Zsolt Ekho Farkas’s 3-D rendering of the 19th-century painting, Budavár Visszavétele via Co.Create.
A Love Letter to the City